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Recently by Ray Pride

"Idle Tears," after "The Princess," Alfred Lord Tennyson

TEARS, IDLE TEARS, I KNOW NOT WHAT THEY MEAN,



Passed

Tears from the depth of some divine despair


Cllgia

Rise in the heart, and gather to the eyes,
In looking on the happy Autumn-fields,


Collegiate

And thinking of the days that are no more.
Fresh as the first beam glittering on a sail,


Crossbar


That brings our friends up from the underworld,
Sad as the last which reddens over one
That sinks with all we love below the verge;
So sad, so fresh, the days that are no more.


Kickstand

Ah, sad and strange as in dark summer dawns
The earliest pipe of half-awaken'd birds
To dying ears, when unto dying eyes


Rim

The casement slowly grows a summering square;
So sad, so strange, the days that are no more.


Cable


Dear as remember'd kisses after death,


Pedal

And sweet as those by hopeless fancy feign'd
On lips that are for others; deep as love,



Deflate

Deep as first love, and wild with all regret;
O Death in Life, the days that are no more!


Valve

["The Princess: A Medley: Tears, Idle Tears," by Alfred Lord Tennyson; for RM.]



Between the Rains

"The monotone of the rain is beautiful,
And the sudden rise and slow relapse
Of the long multitudinous rain.



"Enter Dream": New photography by Ray Pride

raypride1final.jpgA show of 40+ photographs opens Friday, June 13 at Medicine Park (Chicago Avenue at Washtenaw) and runs through July 9. Friday's opening reception begins at 8 with dj Lauri Apple spinning. Details and a sample below...



"The Impact of the Cities," after Bertolt Brecht

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Leave the woman where she is.
She has two arms of her own
And two legs for that matter
(Which, sir, are no longer any affair of yours).
See that you yourself come through.






U.S. military cemetery: "We are full"

Fleet
"OVERLAND PARK, Kansas (Reuters) - A Kansas military cemetery has run out of space after the burial of another casualty of the Iraq war, officials said on Thursday. "We are full," said Alison Kohler, spokeswoman for the Fort Riley U.S. Army post, home of the 1st Infantry Division. U.S. Sens. Sam Brownback and Pat Roberts, both Kansas Republicans, on Thursday sent a letter to William Tuerk, the under secretary for memorial affairs at the Department of Veterans Affairs, urging for full funding for a new cemetery for Fort Riley. "While a new cemetery would not be completed in time to alleviate this situation immediately, it is vitally important," Roberts and Brownback, a Republican presidential candidate, said in their letter. "We truly owe our military members a debt of gratitude and the least we can do is provide them with an honorable burial ground," the senators wrote."



War as we saw it: RIP Yance T. Gray and Omar Mora

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"War As We Saw It," a powerful and deeply skeptical Op-Ed about the Iraq occupation, written by seven soldiers in the field—Buddhika Jayamaha, Wesley D. Smith, Jeremy Roebuck, Edward Sandmeier, Jeremy A. Murphy, Yance T. Gray and Omar Mora—was published in the August 19, 2007, New York Times. "In a lawless environment where men with guns rule the streets, engaging in the banalities of life has become a death-defying act," the soldiers wrote. "Four years into our occupation, we have failed on every promise, while we have substituted Baath Party tyranny with a tyranny of Islamist, militia and criminal violence. When the primary preoccupation of average Iraqis is when and how they are likely to be killed, we can hardly feel smug as we hand out care packages. As an Iraqi man told us a few days ago with deep resignation, ”We need security, not free food. In the end, we need to recognize that our presence may have released Iraqis from the grip of a tyrant, but that it has also robbed them of their self-respect. They will soon realize that the best way to regain dignity is to call us what we are—an army of occupation—and force our withdrawal." Yance Gray, 26, and Omar Mora, 28, were killed in action Monday. [The art is by Wesley Kimler.]



B B Two: On everyday theatre

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You artists who perform plays
In great houses under electric suns
Before the hushed crowd, pay a visit some time
To that theatre whose setting is the street.




B B One: I hear

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I hear In the markets they say of me, I sleep badly



After Don DeLillo's Falling Man

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The world was this as well, figures in windows a thousand feet up



Looking away: one day in Toronto

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Sidelong glimpses of the city on my first day at the Hot Docs Canadian International Documentary Festival.





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