Pasolini claimed that Salò was highly symbolic and metaphorical; for instance, that the coprophagia scenes were an indictment of mass-produced foods, which he labeled "useless refuse." from Wikipedia
coprophagia, n.
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Pasolini claimed that Salò was highly symbolic and metaphorical; for instance, that the coprophagia scenes were an indictment of mass-produced foods, which he labeled "useless refuse." from Wikipedia