June 2007

B.Y.O.P. Bring Your Own People: Curated by Simone Muench

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Featuring Lina Ramona Vitkauskas, Joshua Marie Wilkinson and Jason Bredle
Also Erin Teegarden and Rafael Torch

B.Y.O.P. Bring Your Own People
When: Saturday, June 30, 2007
Time: Reading begins at 7:00PM
Cost: Free admission.
Location: Peter Jones Gallery, 1806 W. Cuyler, 2nd Floor, Chicago

"Chicago is a storytelling town. Whether through poetry or prose, Chicagoans have plenty to say about life, the world, home teams, and cicadas...but too often we only talk to those in our own neighborhoods. The Guild has always stood for crossing the street into the next neighborhood to learn where our stories intersect and differ. Through B.Y.O.P., the Guild invites two members of Chicago's literary neighborhoods -- reading series, individual writers, lit mags -- to partner together to offer an evening of literature, conversation and hanging out."--Guild Complex

To learn more about the writers, click continue



funambulist, n.

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gomphiasis, n.

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Your “New York Age”

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I don’t know what this proves, but at this link you can take Time Out New York magazine's new quiz: "What's your New York age?" According to it, my own New York "age" is 28. And I’m 52. I think that upsets me. Am I too childish or something?



metempsychosis, n.

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Joshua Marie Wilkinson is the author of several collections of poetry including Suspension of a Secret in Abandoned Rooms (Pinball), Lug Your Careless Body out of the Careful Dusk (Iowa), A Ghost as King of the Rabbits (New Michigan), The Book of Truants & Projectorlight (Octopus). Forthcoming collections are The Book of Whispering in the Projection Booth (Tupelo), Figures for a Darkroom Voice (with Noah Eli Gordon; Tarpaulin Sky), The Book of Flashlights, Clover, & Milk (Pilot), and A Brief History of Gossip (Dos). He lives in Chicago and teaches at Loyola University. He is co-directing with Solan Jensen, the feature-length documentary entitled Made a Machine by Describing the Landscape (a film about Califone on tour).

from A Moth in the Projectorlight

From the porch my father is pissing
into the dust & dark.




hypertrichosis, n.

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monophobia, n.

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the stockyards

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The Ideogram Happiness

I busted you following the ants
an absentminded custom
where a woman tree and a widowed home
share earth like an equal heaven.

I saw your hair turn when
you asked me for a heater.
Your mouth shivered, a milk tooth
lost like a forest dweller
grasps onto a hollow arrow.




bibelot, n.

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ablutomania, n.

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buss, n.

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Poem of the Week: "The House that Buster Keaton Built" by Aaron Fagan

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Aaron Fagan was born in Rochester, New York in 1973, grew up in the village of Victor in upstate New York, and was educated at Hampshire College and Syracuse University. In 1998 he went to Chicago and worked as an Assistant Editor for Poetry and as a Reference Assistant for the Newberry Library. Poems of his have appeared in The American Poetry Review, Another Chicago Magazine, Boulevard, The Brooklyn Review, Living Forge, Opium, Shenandoah, and The Yale Review. His first book, Garage, is just out from Salt Publishing. He lives in the Bronx.

The House that Buster Keaton Built

Looks just as thrown together as I am—on edge
And tired of windows framing days. Mullions like



Weak

It is spring, and my thoughts turn softly to dealing with the back yard. I use the term expansively. Some one else's back yard trees.jpg I have a rather large back yard by many standards, and especially by urban standards, although it is not as large as some of the other Wicker Park properties I view when walking the crazy dog about the neighborhood. My “back yard” includes my garage roof, upon which, as I have previously mentioned, I have installed large boxes in which I grow both tomatoes and potatoes. (I prefer the “toe-mato,” “poe-tato” pronunciation at the moment, but then again this is about being weak.) And a lot of other things. Carrots. Okra. Jalapenos. Cucumbers. Baby Bok Choy. Indian Corn. Zinnias. But even on the garage roof, the trees are encroaching. One of my favorite artworks is a section of a video opera by Miroslaw Rogala, a hugely underrated media artist who happens to live in Chicago. The section is entitled “The Trees Are Leaving Us.” Miroslaw Rogala, Nature Is Leaving Us, 1989.jpg I know what he means, and I want to cry at the truth of it. But in my back yard, the trees are coming to me. Shading the southern half of the yard, there’s a diseased Siberian elm that just won’t die while all the magnificent American Elms in the entire metropolitan area wither and succumb to Dutch Elm disease. And then that huge mulberry tree from my northern neighbor’s yard that has claimed all the airspace the Siberian elm hasn’t. And then there is the crab apple tree that was the sole feature of the back yard when I was a mere renter and my elderly Polish landlord kept four or five dogs who trampled the earth so effectively that nary a weed would grow. The crab apple tree hovers over the garage, and it a convenient place to hang my tomato cages when turning over the boxes, but it has grown tall and blocks the sun as it sinks into the west. It has gotten to the point where the yard is dark, and not even shade-loving plants will grow. So of course, being the self-reliant person that I am, I must trim the trees.




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colloquy, n.

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plica, n.

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Download itunes version here.

Download rhapsody version here.

In New York City, in the East village at West Fourth and Jane Street, there’s a little old tavern that serves the best hamburger you’ll ever have. The place is simply named The Corner Bistro.



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"Journey's former vocalist Steve Perry says he needed to know how ''Don't Stop Believin''' would be used before he approved it for ''The Sopranos'' finale, but that in the end he thinks it was the perfect choice"....isn't this what was really on your mind Mr. Tremulis? Tell the truth.



costive, adj.

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keck, v.

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As Paul Klein has publicized, the City Council is on the verge of passing an ordinance that is bad for Chicago, bad for its citizens and particularly bad for the art community. Sharkforum supports his attempt to organize a challenge to this action.

An alternative ordinance has been proposed that will not be considered unless you act. The following groups are involved: Sharkforum, Bad at Sports, the Chicago Artists Coalition, Lumpen, ArtLetter and others.



breviloquence, n.

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Poem of the Week: "The End of My Computer" by Aaron Belz

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Aaron Belz writes poetry in his hometown of St. Louis, Missouri. His work has appeared in Boston Review, Fence, Painted Bride Quarterly, Black Clock, and other places, and his first full-length book, The Bird Hoverer, was published by BlazeVOX in 2007. Another of his manuscripts, Clementines, was selected as a runner-up for the 2006 Marsh Hawk Press contest by Denise Duhamel, who writes: "Aaron Belz is a gravely hilarious poet . . . his ferocious intelligence, his love of glitz, and his wry take on relationships (both human and animal) are irresistible. Belz's voice is bold, wise, inimitable."

The End of My Computer

At the end of my computer
Sits a white hermit playing invisible chess.



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Guest Artist Jordan Schulman Shoots Richard Serra at MoMA

Editor's note: Richard Serra is one of the finest sculptors, if not the finest living sculptor working today. His solo show at the MoMA in New York is, of course, being heralded as masterful. For a nice, if short, interview with Serra click here. To watch a time-lapse video of his pieces Torqued Elipse IV (1998) and Intersection II (1992) being installed in the Abby Aldrich Rockefeller Sculpture Garden at MoMA click here. The show runs through September 10, 2007.

The following shots were taken by Chicago photographer Jordan Schulman, whose bio follows these wonderful shots. We're very happy to show his work. The these images are © copyright Jordan Schulman 2007 and cannot be reproduced without permission and written consent.


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Where is Hef anyway? Oh never mind, clearly he's not being missed in this picture.....could it be that The Shark is poised for yet another return to the big screen with hmmm... Hefs Women as bait errrr.... I mean co-stars? .......what would it be, Blonde On Jaws? Or..... Sea Meat Mansion! or, how about, Centerfold Sharkbait!...




bibble, v.

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Lucie Schenker Drawings

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I recently did a podcast on an important “midcareer” artist in Switzerland, Lucie Schenker. My contribution had such terrible sound that I am putting a transcript of my discussion here, for those who don’t want the pain of listening to my feedback-backgrounded, tinny broadcast.



Poem of the Week: "Bibles for Vietnam" by Tony Trigilio

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Tony Trigilio is the author of The Lama's English Lessons, winner of the Three Candles First Book Award in Poetry (2006). His poems have appeared recently in Hotel Amerika, The Spoon River Poetry Review, Big Bridge, Rattle, The Laurel Review, and in the anthology Digerati: 20 Contemporary Poets in the Virtual World (Three Candles Press, 2006). He is co-founder of The Starve Site, an online home for experimental video, writing, music, and performance. He teaches at Columbia College Chicago where he co-edits Court Green.

Bibles for Vietnam

He talks like he’s nibbling pistachios,
winces through reconstructed cheeks.




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Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair,
And the green freedom of a cockatoo
Upon a rug mingle to dissipate
The holy hush of ancient sacrifice.




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Tonight at The Architrouve in Chicago

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Don't miss the chance to meet Chicago artist Tony Fitzpatrick and see "The City Etchings" exhibition. The Architrouve will be offering a variety of Top Shelf Scotches and Infused Martini's. Guests will receive a signed catalogue by Tony Fitzpatrick.
Friday, June 1st, 6pm to 9pm
Tickets are $20, No RSVP required

For more info go here.



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