As we stood there, watching the flames, I couldn’t help feeling the warmth of satisfaction. There was only a hint of bittersweet lurking in the shadows, represented by the knowledge that I couldn’t share the beauty of my revenge. It was a small price to pay. Giant rafters burned, brick walls crumbled in on years of work. Clouds glowed ruby and pumpkin as the rain sizzled in the inferno. For once the karmic scales had tipped my way. The great wheel in the sky, which had always turned a blind eye to my need, had finally landed on my number. In front of me was regular old combustion, handed down through countless generations. Inside of me was cold fusion.
On my street in the mid- sixties, about twenty-five houses with a choice of two designs curved around adjacent to a school yard; bordering a small creek that flooded in a big rain, bushes filled with black and straw berries, and the remnants of Illinois prairie. Besides being the perfect setting for a dusky game of Kick the Can, the houses on this small suburban street also provided the basements and garages for no less than four teenage rock bands.
If you read Rick Rizzo's last article in sharkforum, you'll notice that Rick and I, offhandedly, began a verbal dialog on the music business at the shark's lair a couple of weeks ago. We decided that we'd both begin a series of stories on the music business to see if we could un-earth some clues into its, and more selfishly, my own future.
I was looking at photographs the other day and decided that the only description I could give to the image of a young woman who appeared in some of them was that she looked like a milkmaid. Now I grew up on a farm, and it can be accurately said that I once was a milkmaid, as one of my chores was milking the goats (my brothers milked the cows, although I did that more challenging task occasionally it wasn’t a daily chore). Unlike probably 99.9% of the American native-born population, I know what it is like to sit on a low stool, thighs spread and knees popped up at an angle while the feet are pulled underneath, close to the stool, to allow that certain necessary cantilever to the body in order to reach over and access the udder with the arms at the proper angle perpendicular to the body.
Like a good horse race the 2006 Oscars (honoring films, remember, released in 2005) is shaping up to be quite an interesting contest. The pre-emptive favorite for best puicture and best director, "Brokeback Mountain" (which I did not like and for which my negative opinion earned a number of accusations of homophobia) seems to have a certain momentum working against it.
Oh, you crazy River North, when will you learn? All the kids have gone to bed before you've even baked the bread!
Pollock was a fake, or something
I was perusing the current Chicago Artists' Coalition (CAC) Artists' News - February and came across a mention of Sharkforum.org in their Art News section by Shag.
"hey, Swedish folks, take it easy on all the innovation stuff, allright?"
I've been a sucker for awards shows since I was a kid. I've actually cried listening to acceptance speeches. There is something undeniably touching about watching some artist -- regardless of true merit or true ability -- clamber onto a garish stage to thank every person he or she has ever known in return for an ovation and a cheap statuette.