This week: Happy 2012! Bad at Sports kicks off the new year with Mark Staff Brandl reporting from Venice 2011!
A Venice Biennale 2011 extravaganza. Mark Staff Brandl is in the City of St. Mark. Brandl, the Central European Bureau and VaporettoShark, traverses and discusses his way through this huge international festival with sporadic assistance from Peter Stobbe, Claudia Tolusso, Manuela Gritsch, Elisabeth Payer, Tamara Remus, Lucas Malsch, Adam Vogt, Sarah Rohner, Johanna Gschwend, Marc Bless, Manuel Ackermann, Chandra Marquart and others from the Art Academy of Liechtenstein. He covers many of the national pavilions at the Giardini park, discusses much of the Centrale and even works his way through all of the massive Arsenale. Furthermore, at the end Dr. Mark and Dr. Peter visit and discuss some thrilling old paintings at the Accademia, the wonderful Venetian Museum and go to a retrospective of Julian Schnabel in the Museo Correr, located in the Piazza San Marco. Whew. Viva la Serenissima!
An exhibition of paintings by Julia Kubik in the Collapsible Kunsthalle, which at this time has been in the Art Academy of Liechtenstein for a residence.
Bob Dylan, when asked why he admired Woody Guthrie's music, said that it had the ability to teach a person how to live. I feel much the same way about Christian Wiman's newest collection, Every Riven Thing, released last November by Farrar, Straus and Giroux. These are poems that, to quote Charles Wright, are born of "pain, and the rhythms of pain," which is to say that Wiman's writing embodies both grief and suffering, as well as a clear-eyed hope and a grounded joy.
In "After the Diagnosis," the poem which ultimately begins the collection, one is introduced to Wiman as an existential being, as well as a craftsman. The poem begins:
"Meanwhile...." July 11-August 27 Gallery 3R
Mark Staff Brandl with Gary Scoles and Thomas Emil Homerin
The trio creates a comic book installation on site from scratch, eventually enveloping the entire room. Visitors are invited to watch the process and interact with the creators. Their activities are documented in video and photos, also becoming part of the completed exhibition.
Opening Reception: Saturday, July 16, 6:30-8:30 pm
When Mark Staff Brandl of Switzerland was invited to exhibit at the Contemporary Art Center, he realized this would be an opportunity to fulfill a long-held desire to reunite his friends Gary Scoles of Pekin and Emil Homerin of Rochester, New York into an active creative team in order to realize one of his Panels Painting-Installations, utilizing as a springboard the steady stream of comic-related ephemeral sketches and doodles he and Scoles consistently produce. Starting on July 11, the team will convene in Gallery 3R to create the work on site.
Artist and Art Historian Mark Staff Brandl earns PhD with creative dissertation on visual art and metaphor theory
Mark Staff Brandl was awarded his PhD in Art History, magna cum laude, from the University of Zurich Switzerland on 20 May 2011.
He wrote his PhD dissertation on an original theory of metaphor in visual art.
Dr Brandl's book, titled Metaphor(m): Engaging a Theory of Central Trope in Art, presents and embodies his thesis that the formal, technical and stylistic aspects of artists' approaches concretely manifest content in culturally and historically antithetical ways through a uniquely discovered trope. His philosophy, termed metaphor(m) or the theory of central trope, is grounded in conceptual metaphor and cognitive science, particularly that of George Lakoff, as well as Harold Bloom's idea of poetic misprision. Brandl's concept is applied to painting, installation at, electronic media, the expanded text concept, art history timeline models, comics, and artistic cultural inheritance. This dissertation is in the traditional form of a book, but with the addition of paintings and sections in sequential comic form as well as an actual installation comprised largely of paintings.
A horizontal-scrolling doc of images of a few of my more recent works. Made for the profile on me at the Höhere Fachschule Bildende Kunst St Gallen Switzerland.
Dean Rader is professor of English at the University of San Francisco where he held the National Endowment for the Humanities Chair. Rader's debut poetry collection, Works and Days won the 2010 T. S. Eliot Prize judged by Claudia Keelan (Truman State University Press, 2010). He has published widely in the fields of poetry, literary studies, American Indian studies, and visual and popular culture. He regularly contributes op-eds and book reviews to San Francisco Chronicle and blogs at The Weekly Rader, SemiObama and 52 Gavins. Read excerpts here and here.
This interview with Dean Rader about his poetry book Works and Days was conducted during the spring of 2011 by eight poets: Danielle Burhop, Aaron Delee, Dane Hamann, Sarah Jenkins, Anthony Opal, Christine Pacyk, C. Russell Price, and Lana Rakhman.
Q: When I first picked up your collection, before reading any of the poems, I made the connection between your title and Hesiod. In what ways did Hesiod's largely agrarian poetry influence this collection?
Dean Rader: I grew up in a farm town in Western Oklahoma. In fact, up until a couple of years ago, we still had a family farm, though neither my parents nor I worked the farm. But my grandfather did, as did his brother and, of course, their parents. Most of the economy in Western Oklahoma is farm-based, so I grew up smack dab in the middle of the culture, the patterns, and the values of farming. I was always very intrigued by Hesiod's Works & Days. It's a zany text. Rambly and a bit crazy. But, I loved how Hesiod's poem articulated this deep connection between farming, duty, and the divine. It was a trinity I related to on a profound level.
Beth Bachmann's first book, Temper, was selected by Lynn Emanuel as winner of the AWP Award Series 2008 Donald Hall Prize in Poetry and won the 2010 Kate Tufts Discovery Award. Her new manuscript recently won the Poetry Society of America's Alice Fay Di Castagnola Award. Read an excerpt here.
This interview with Beth Bachmann about her poetry book Temper was conducted during the spring of 2011 by eight poets: Danielle Burhop, Aaron Delee, Dane Hamann, Sarah Jenkins, Anthony Opal, Christine Pacyk, C. Russell Price, and Lana Rakhman.
Q: Many of the poems in the book feel restrained, in their messages and by the form (or in their lengths); you're always edging onto something, but cut away from it quickly. So, much of the book reads in what is not being said, rather than what is stated; the confusion, the mystery surrounding its central drama. Is there a particular reason you chose this route over lengthier and expository poetry?
Beth Bachmann:I love the short lyric form: Dickinson, Rilke, The Book of Odes. I have a strong appreciation of silence. And in a poem, of staged space.
"Every society honors its live conformists, and its dead troublemakers." Mignon McLaughlin --- "Jede Gesellschaft ehrt ihre lebenden Konformisten und ihre toten Unruhestifter." Mignon McLaughlin
My podcast interview with Ieva Maurite, a young Latvian artist living in Riga. I interviewed her during her visiting artist gig in the Principality of Liechtenstein. Maurite is a painter, book artist and art academy instructor who has also had residencies in Paris, Iceland and many other parts of Europe.
Recent Comments